Mikhail Vrubel Russian Symbolist Painter, 1856-1910
Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.
Portrait of Nadezhda zabela-Vrubel.the Artist's wife,wearing an empire-styles summer dress made to his design mk72
1898
Oil on canvas
124x75.7cm
Treyakov Gallery,Moscow
Painting ID:: 31225
Mikhail Vrubel Portrait of Nadezhda zabela-Vrubel.the Artist's wife,wearing an empire-styles summer dress made to his design mk72
1898
Oil on canvas
124x75.7cm
Treyakov Gallery,Moscow
The Swan Princess mk72
1900
Sketch for the 1900 painting of the same title,now in the Tretyakov Gallery
Oil on panl
23x19.5cm,Russian Museum,St.Petersburg
Painting ID:: 31227
Mikhail Vrubel The Swan Princess mk72
1900
Sketch for the 1900 painting of the same title,now in the Tretyakov Gallery
Oil on panl
23x19.5cm,Russian Museum,St.Petersburg
Thirty-Three Bogatyrs mk72
1901
Sketch for the central part of an unrealized triptych intended for the dining-room in Alexei Morozov's mansion in Moscow
Unfinished
Oil on canvas180.5x230cm
Russian Museum,St.Petersburg Painting ID:: 31228
Mikhail Vrubel Thirty-Three Bogatyrs mk72
1901
Sketch for the central part of an unrealized triptych intended for the dining-room in Alexei Morozov's mansion in Moscow
Unfinished
Oil on canvas180.5x230cm
Russian Museum,St.Petersburg
Alexandrovskaya Sloboda mk72
1890
Set design for the opera the tsar's Bride by Nikolai Rimsky-Korsakov
Watercolor on paper
32.5x43.6
Bakhrushin Central Museum of the Theater,Moscow
Painting ID:: 31229
Mikhail Vrubel Alexandrovskaya Sloboda mk72
1890
Set design for the opera the tsar's Bride by Nikolai Rimsky-Korsakov
Watercolor on paper
32.5x43.6
Bakhrushin Central Museum of the Theater,Moscow
Russian Symbolist Painter, 1856-1910
Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.